Who is the artist in process art, and how do they imbue an artifact with capacity to shape aesthetic activity?

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• Process Artconcept0.823
  Artifacts designed to bring about process-aesthetic experiences; primary aesthetic properties emerge in the enactor's activity.
• Process arts are a viable and important category of the arts, with distinctive aesthetic value separate from object arts.claim0.818
• In process art, designer's work and attentive focus come apart: work is the artifact; focus is the enactor's activity.claim0.813
  Key conceptual move distinguishing process from object art; resolves question of where aesthetic properties reside.
• Process Aestheticsconcept0.789
  Core framework: aesthetics of activity from the perspective of the actor, including self-reflective experiences and perception of external world as part of activity.
• Who is responsible for the aesthetic qualities of action—the artist or the active audience?question0.781
  One of three key unanswered questions identified as motivation for the theory of process arts.
• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.768
• Significant aesthetic properties in an enactor's actions can be attributed to the designer's intentional artifact creation.claim0.762
• it is not possible to understand either the life of artifacts, or the process which creates this life, without realizing that in the end all living processes are processes which lead towards this Iclaim0.752
  Argument that a non-mechanical view of matter is necessary to account for architectural facts.