Process arts are a viable and important category of the arts, with distinctive aesthetic value separate from object arts.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• Who is the artist in process art, and how do they imbue an artifact with capacity to shape aesthetic activity?question0.818
• Process Aestheticsconcept0.810
  Core framework: aesthetics of activity from the perspective of the actor, including self-reflective experiences and perception of external world as part of activity.
• process, not designconcept0.773
  The idea that the life of a building comes from the process of its creation, not from a preconceived design on paper.
• Each process does something, just one thing — which is important, practical, and creates good feeling. Then it does another.claim0.772
  Description of the unhesitating, practical nature of the generative steps.
• In process art, designer's work and attentive focus come apart: work is the artifact; focus is the enactor's activity.claim0.771
  Key conceptual move distinguishing process from object art; resolves question of where aesthetic properties reside.
• In every case, the process is straightforward, simple, and above all free: it allows the reality of the situation, the human needs, human joys, to find expression.claim0.770
  A summary generalization from the examples about the nature of living processes.
• A drawing is not a good medium for a process requiring serious and mature reflection one item at a timeclaim0.758
  Part of the critique of charettes: drawings encourage quick, playful contributions and cannot handle complex trade-offs
• Living processes are by nature morphogenetic; they are aimed at creating positive space and making form coherent.claim0.757
  Core definition of living process as intentionally form-creating, in contrast to fragmented modern processes.