In process art, designer's work and attentive focus come apart: work is the artifact; focus is the enactor's activity.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• Who is the artist in process art, and how do they imbue an artifact with capacity to shape aesthetic activity?question0.813
• The rewarding and life-enhancing nature of work comes into focus when the thing made has life, and the makers begin to change dramatically.claim0.795
• Significant aesthetic properties in an enactor's actions can be attributed to the designer's intentional artifact creation.claim0.793
• Process arts are a viable and important category of the arts, with distinctive aesthetic value separate from object arts.claim0.771
• It is, ultimately, the process, not the design, which gives life to a building.claim0.766
  Emphasizes process over blueprint.
• When you are done, if you have reached what you aim for, you feel the impact of its 'presence.' This is how architecture comes about.claim0.763
  Defines the experiential criterion — felt presence — as the endpoint and definition of successful architecture
• The task of every artist and builder is to mobilize the living I in things, thereby awakening the self and connecting to the ultimate.claim0.761
  The ultimate purpose of making.
• This is focused on beauty. It is brutal, only because, to do it, we must forget our responsibilities and the subtleties of site and function, and enter the play of pure forms with as much emphasis on feeling, art, and structure alone as we can.claim0.758
  Defines brutality as the temporary forgetting of practical responsibilities to focus purely on structural beauty