Who is responsible for the aesthetic qualities of action—the artist or the active audience?

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• Who is the artist in process art, and how do they imbue an artifact with capacity to shape aesthetic activity?question0.781
• Significant aesthetic properties in an enactor's actions can be attributed to the designer's intentional artifact creation.claim0.773
• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.773
• The aesthetics of our own actions are already a natural part of the rich experience of our lives.concept0.754
  Opening claim establishing process aesthetics as pervasive human experience, motivating study of process arts.
• The task of every artist and builder is to mobilize the living I in things, thereby awakening the self and connecting to the ultimate.claim0.749
  The ultimate purpose of making.
• Perception is a form of action; perception and action cannot be pulled apartclaim0.742
  Enactive consequence: active sampling of world means perception inherently involves action
• But even so, although it is the most naked and forceful artistic act, this too must be seen as an unfolding which uses nothing but the fundamental process.claim0.740
  Reconciles the brutal imposition with the unfolding paradigm — it is still the fundamental process, just at its most forceful
• Tacit Assumption 6: Art is an intense social phenomenon but has no deep importance in the physical scheme of things.claim0.737
  Sixth assumption denying art a fundamental role in the structure of the universe.