Tacit Assumption 6: Art is an intense social phenomenon but has no deep importance in the physical scheme of things.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• Tacit Assumption 9: The intuition that something profound is happening in a great work of art is, in scientific terms, meaningless.claim0.860
  Ninth assumption negating the deep significance of aesthetic experience within the scientific picture.
• Tacit Assumption 8: At a profound level, architecture is irrelevant.claim0.834
  Eighth assumption that building has no special importance beyond engineering or image-making, underlying society's treatment of the built environment.
• Art is not merely pleasant or interesting. It has an importance that goes to the very core of the cosmology.claim0.815
  New assumption #10: art is cosmologically central.
• Tacit Assumption 2: Matters of value in architecture are subjective.claim0.807
  Second tacit assumption, identified as nearly the central tenet of modern architecture.
• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.802
• Art is not a trivial or interesting practice but something utterly fundamental to our human existence and to the nature of things as they areclaim0.801
  Stakes a strong normative claim about the role of art in light of the person-stuff thesis
• Tacit Assumption 10: The instinct that there is deeper meaning in the world is scientifically useless and must be ignored.claim0.799
  Tenth tacit assumption, the culmination making the search for meaning scientifically empty.
• Tacit Assumption 4: The basic matter of the world is neutral with regard to value; matter is inert.claim0.787
  Fourth assumption that the universe is made of inert material blindly following laws.