claim
active
claim:the-artist-should-not-express-his-feelings-into-the-work-instead-the-work-should-generate-feeling-in-the-observerThe artist should not express his feelings into the work; instead the work should generate feeling in the observer.
Neighborhood — ranked by edge-count
Concepts (1)
concept
- The principle that the feeling must come from the finished work back to the observer, not from the artist's self-expression during making.
Related by similarity (8)
cosine ≥ 0.65 · no typed edgeEntities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.
- Sixth assumption denying art a fundamental role in the structure of the universe.
- Assertion that even concrete can have the feeling of precious materials through process.
- Load-bearing quote from Monadology §17 providing earliest clear statement of the Hard Problem
- Does the comparison of the three artworks depend on what kind of feeling is being measured — bold, eerie, or soft?question0.795Alexander raises and dismisses this objection in arguing for Matisse's superior personal feeling
- A conditional rule for the unfolding process.
- Justification for physical mockups and on-site design adaptation.
- Ninth assumption negating the deep significance of aesthetic experience within the scientific picture.
- Canonical illustration of the Hard Problem intuition that any functional/mechanical explanation faces an explanatory gap for perception