Does the comparison of the three artworks depend on what kind of feeling is being measured — bold, eerie, or soft?

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.795
• The feeling of such a floor cannot be accurately judged from a drawing made in advance.claim0.781
  Justification for physical mockups and on-site design adaptation.
• Art (poetry, paintings) requires massive personal interpretation on the decoding end, a drastic bowtie.claim0.753
  Example from Table 1.
• The deep feeling can never be made essentially different later.claim0.753
  Once the initial volume and site design is done, its essential feeling is fixed; later work can only deepen it.
• Personal feeling is an objective quality inhering in things, not a subjective idiosyncratic responseclaim0.752
  Central thesis: universality of personal feeling separates it from mere subjectivity
• The feeling of a material does not depend on what it is—it depends on how it is handled.claim0.751
  Assertion that even concrete can have the feeling of precious materials through process.
• The beautiful balance of endless repetition and endless variation, typical in almost all of nature, and typical of the greatest of the ancient artefacts, may be coming within our grasp once again.quote0.750
  Expresses the aspiration of the new production method to recover a natural quality of order.
• "[W]e must confess that perception, and what depends upon it, is inexplicable in terms of mechanical reasons... we will find only parts that push one another, and we will never find anything to explain a perception."quote0.750
  Load-bearing quote from Monadology §17 providing earliest clear statement of the Hard Problem