Art (poetry, paintings) requires massive personal interpretation on the decoding end, a drastic bowtie.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• Bowtie architecture: compression during learning; creative reinterpretation during recall and generalizationmethod0.780
• But even so, although it is the most naked and forceful artistic act, this too must be seen as an unfolding which uses nothing but the fundamental process.claim0.777
  Reconciles the brutal imposition with the unfolding paradigm — it is still the fundamental process, just at its most forceful
• A great work of art makes a permanent connection with the I.claim0.776
  The highest works of art open a enduring window to the ground.
• Pleasing oneself, when it is truly done, leads to the most sublime, the most profound, the most truly spiritual art.claim0.776
  Alexander claims that true pleasing oneself is identical to the path intended by the greatest religious teachers.
• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.776
• When you make a beautiful thing, the depth of the person within becomes more vivid, lives more intensely for a moment.claim0.773
• Tacit Assumption 9: The intuition that something profound is happening in a great work of art is, in scientific terms, meaningless.claim0.772
  Ninth assumption negating the deep significance of aesthetic experience within the scientific picture.
• This is focused on beauty. It is brutal, only because, to do it, we must forget our responsibilities and the subtleties of site and function, and enter the play of pure forms with as much emphasis on feeling, art, and structure alone as we can.claim0.771
  Defines brutality as the temporary forgetting of practical responsibilities to focus purely on structural beauty