feeling from object to observer (non-expressive art)

The principle that the feeling must come from the finished work back to the observer, not from the artist's self-expression during making.

Neighborhood — ranked by edge-count

claim

chapter

Chapter 14: Deep Feeling
introduces
The chapter presenting the argument that deep feeling is the core of living process, illustrated with examples from architecture, painting, and design.

cosine ≥ 0.65 · no typed edge

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

Feelingconcept0.761
The experiential measure of life; a living process is congruent with and governed by feeling, and the feeling a place presents is the measure of its life.
Object Artconcept0.758
Tacit Assumption 6: Art is an intense social phenomenon but has no deep importance in the physical scheme of things.claim0.755
Sixth assumption denying art a fundamental role in the structure of the universe.
The feeling or vision of emotional substance comes into our minds from the whole which exists.claim0.755
Feeling (as distinct from emotion)concept0.752
Alexander distinguishes 'feeling' — the sense of being part of the ocean, sky, world — from emotions like happiness, sadness, or anger
Personal Feeling as Sourceconcept0.747
The emotional substance originating from one's own humanity that must be put into making for life to appear.
Perception is a form of action; perception and action cannot be pulled apartclaim0.744
Enactive consequence: active sampling of world means perception inherently involves action
feeling as mode of perception of the wholeconcept0.740
Grasping wholeness not analytically but through a visceral feeling that arises when paying attention to the whole.