The feeling comes from the object back to me after it is made, does not go from me to the object while I am making it.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• The feeling of a material does not depend on what it is—it depends on how it is handled.claim0.824
  Assertion that even concrete can have the feeling of precious materials through process.
• Feeling gives us a feeling of what to do next in the unfolding of the whole.claim0.818
• The feeling or vision of emotional substance comes into our minds from the whole which exists.claim0.816
• In each step of a living process one must be able to feel, ahead of time, the feeling which will later exist in the finished object, without yet knowing its form in detail.claim0.816
• If the feeling is genuine and does arise out of the site itself, then it must be thought of as an absolute which later stages of design and construction must only strengthen, deepen.hypothesis0.816
  A conditional rule for the unfolding process.
• We also feel wholesome when we are making these things. As we make them, and after making them, we feel whole in ourselves, healed, and right with the world.claim0.815
  Second assertion linking creative activity with personal healing.
• Any made thing has the obligation to create experience of deep feeling in us.claim0.808
• When you are done, if you have reached what you aim for, you feel the impact of its 'presence.' This is how architecture comes about.claim0.808
  Defines the experiential criterion — felt presence — as the endpoint and definition of successful architecture