A drawing is not a good medium for a process requiring serious and mature reflection one item at a time

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• Sketches and computer drawings are over-specific and contain too much arbitrary information, hindering a genuine living process.claim0.785
  Critique of graphic notation as a design medium.
• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.780
• The feeling of such a floor cannot be accurately judged from a drawing made in advance.claim0.765
  Justification for physical mockups and on-site design adaptation.
• Art is not a trivial or interesting practice but something utterly fundamental to our human existence and to the nature of things as they areclaim0.764
  Stakes a strong normative claim about the role of art in light of the person-stuff thesis
• Process arts are a viable and important category of the arts, with distinctive aesthetic value separate from object arts.claim0.758
• Contrast, instead of separating things, brings them together when used to help centers become alive; contrast that fails to create deeper feeling is merely accidental or eye-catchingclaim0.757
  Claim distinguishing good contrast (Shaker schoolroom, which unifies) from bad contrast (glaring lobby staircase, which separates)
• But even so, although it is the most naked and forceful artistic act, this too must be seen as an unfolding which uses nothing but the fundamental process.claim0.755
  Reconciles the brutal imposition with the unfolding paradigm — it is still the fundamental process, just at its most forceful
• Simple, intentionally rough paper and cardboard models that can be rapidly torn, cut, and patched provide a practical way to evolve design through feedback.claim0.750
  Proposed practical method for achieving step-by-step feedback in design.