Spaces with special quality evoke memories and possess aesthetic resonance through integration of materials, ornament, color, and spatial experience

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• This quality is real, not merely an artifact of cognition but an objectively real physical phenomenon in space which our cognition detects.claim0.781
  Moves from subjective perception to ontological claim about the nature of space.
• The quality of life exists to varying degrees in every part of space, even inanimate objects like ink and paper.claim0.773
  Core claim that life is a universal, non-biological attribute of all matter.
• It is, above all, the light and relation to movement and relation to the whole which give quality and character to a room.quote0.772
  Summarizes the three primary determinants of room life.
• Artifacts can stabilize and make intersubjectively sharable aesthetic experiences of action.claim0.771
  Core thesis: refutes Saito's concern by showing designed artifacts structure process aesthetics similarly to object arts.
• We experience an intense feeling of life in many traditional artifacts and works of art, from Minoan vases to Persian bowls.claim0.768
  Central aesthetic claim illustrated by the picture sequence in section 7.
• It is possible to design spaces that are moral, meaningful, and filled with life.claim0.767
• A building which has profound feeling will also solve seemingly unrelated functional aspects.claim0.761
• Positive space is common in natural wholes where both figures and interstitial spaces form positive shapes, as in bubbles, crazing, and crystal growth.claim0.760