We experience an intense feeling of life in many traditional artifacts and works of art, from Minoan vases to Persian bowls.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• When they make things which have life and living centers in them, they experience satisfaction and healing; when they fail, they feel dejected, dull, even dead.claim0.797
• When you make a beautiful thing, the depth of the person within becomes more vivid, lives more intensely for a moment.claim0.780
• It is when this happens that we may sometimes feel ourselves to be in the presence of true life, true value.claim0.776
  The experience of encountering a work where the I shines through is an encounter with genuine life.
• The feeling or vision of emotional substance comes into our minds from the whole which exists.claim0.775
• The rewarding and life-enhancing nature of work comes into focus when the thing made has life, and the makers begin to change dramatically.claim0.774
• The feeling a place presents to us is a measure of its life.claim0.769
  Epistemological claim that phenomenological response is the primary yardstick for evaluating living structure.
• Spaces with special quality evoke memories and possess aesthetic resonance through integration of materials, ornament, color, and spatial experiencehypothesis0.768
• But this lake, even though it allows happiness to exist, is much closer to tears. If you have tears, you can feel them at the sight of the lake, or of the wind ruffles on the surface of the water. Its very existence in the school even allows your tears.claim0.766
  The physical environment of the lake at Eishin campus creates a space where sadness can surface, unlike a typical asphalt playground.