Presence of I-stuff in art makes people feel closer to God, reported by both religious and non-religious people (McGelligot)

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• This quality, when it appears in things, people, in a moment, in an event, is God.claim0.781
  The central theological claim that the quality without a name is not an indication of God but God itself.
• When we experience this one, either in the act of building, or in the act of enjoying what someone else has built, we somehow ourselves come more closely into relation with the underlying ground-stuff of the universe.claim0.773
  The experience of living structure brings us closer to the ground.
• When I-stuff is created, it nourishes the maker.claim0.772
  Core thesis of the chapter.
• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.771
• The quality without a name, when it appears in things, people, in a moment, in an event, is God.quote0.770
  The direct identification of the quality with God, central to the chapter.
• A great work of art makes a permanent connection with the I.claim0.769
  The highest works of art open a enduring window to the ground.
• Tacit Assumption 6: Art is an intense social phenomenon but has no deep importance in the physical scheme of things.claim0.768
  Sixth assumption denying art a fundamental role in the structure of the universe.
• This quality, whether it occurs in a great work or a small work, always has the same essential purpose: to make a connection to the I, to reach, in material substance, the face of God.claim0.761
  The purpose of all living quality is to connect to the I.