This quality, whether it occurs in a great work or a small work, always has the same essential purpose: to make a connection to the I, to reach, in material substance, the face of God.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• A great work of art makes a permanent connection with the I.claim0.816
  The highest works of art open a enduring window to the ground.
• The quality without a name, when it appears in things, people, in a moment, in an event, is God.quote0.815
  The direct identification of the quality with God, central to the chapter.
• The rewarding and life-enhancing nature of work comes into focus when the thing made has life, and the makers begin to change dramatically.claim0.808
• All these works stand out because we experience in them a special quality of relatedness—relatedness of ourselves to the universe.claim0.804
  The core experiential signature of great works, which holds a clue to the process of creation.
• This quality, when it appears in things, people, in a moment, in an event, is God.claim0.803
  The central theological claim that the quality without a name is not an indication of God but God itself.
• "There is a central quality which is the root criterion of life and spirit in a man, a town, a building, or a wilderness. This quality is objective and precise, but it cannot be named"quote0.798
  Verbatim quote from Alexander (1979, p.19) defining the Quality Without a Name, used to motivate the exploration.
• The unassuming, ordinary, touching quality can only be created by a living process, by unfolding.claim0.786
  Strong exclusivity claim: only unfolding produces genuine ordinariness that touches people.
• Pleasing oneself, when it is truly done, leads to the most sublime, the most profound, the most truly spiritual art.claim0.782
  Alexander claims that true pleasing oneself is identical to the path intended by the greatest religious teachers.