The unassuming, ordinary, touching quality can only be created by a living process, by unfolding.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• But even so, although it is the most naked and forceful artistic act, this too must be seen as an unfolding which uses nothing but the fundamental process.claim0.825
  Reconciles the brutal imposition with the unfolding paradigm — it is still the fundamental process, just at its most forceful
• An unfolding process, if faithfully applied, will dissolve any arbitrary initial image because reality and common sense will override it.claim0.823
  Key principle about images vs. unfolding.
• A living process always creates something unique at every point, respecting the uniqueness of every person and every place.claim0.818
• A living process is always natural, similar to the best kind of natural process, but it goes deeper and includes additional centers that naive natural process may miss.claim0.817
  Positions living process as an refined version of innate human creativity, not an artificial imposition.
• The quality of exterior space which comes from living process has a particular and definable morphology.claim0.815
  Opening claim that establishes the chapter's thesis.
• It is impossible, in principle, for an unfolding process to produce the works of Botta, Mies, or Le Corbusier; their works are therefore arbitrary and lifeless.claim0.815
  Strong in-principle claim against modern icons.
• In nature, unfolding often consists of a process that establishes local symmetries one by one.claim0.814
  Connects biological morphogenesis to architectural process.
• All living processes use unfolding to create geometric order.claim0.813
  Universal claim extending the unfolding-and-geometry principle beyond buildings to all living systems