The workman was to become a genuine participant in the creative process

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• The rewarding and life-enhancing nature of work comes into focus when the thing made has life, and the makers begin to change dramatically.claim0.769
• The great works of traditional art were most often created in a context where the maker was trying to become one with God or lose themselves in the ground.claim0.766
  A summary of the reported intentions of historical craftsmen.
• To make a thing which is one, I myself, the maker, must become one with the world.claim0.765
  The maker's self-transformation as a prerequisite for creating unity.
• There is no need for emphasis on individual creative personality as a source of life; the process itself fosters wholeness and life.claim0.754
• In process art, designer's work and attentive focus come apart: work is the artifact; focus is the enactor's activity.claim0.752
  Key conceptual move distinguishing process from object art; resolves question of where aesthetic properties reside.
• If design and construction processes are living processes, each part will become itself, adapted to local conditions and individual people.claim0.746
  Core assertion that living process translates unique place and person into unique form.
• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.744
• The process itself is to be part of nature.claim0.743