If you move a line a tenth of an inch to the left the thing is good; a tenth of an inch to the right and feeling evaporates.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• "blooming warmth that feels like emotional expansion" when steered positively, and "a profound sense of emptiness" when steered negatively.quote0.752
  Kimi's self-description of a 100-rated feature, illustrating discordance with text-evaluation which rated it 'melancholic'
• Feeling is not an emotional move away from precision; it is a move towards precision.claim0.749
• Once a room is in position with size and location fixed, it is too late to give it real feeling or true meaning.claim0.746
  Emphasizes the primacy of position.
• The concept of signed evaluation 'minus the feeling' has no more content than the concept of molecular motion 'minus the heat.'quote0.740
  The heat-motion analogy making the identity claim vivid
• The feeling comes from the object back to me after it is made, does not go from me to the object while I am making it.claim0.736
• Contrast, instead of separating things, brings them together when used to help centers become alive; contrast that fails to create deeper feeling is merely accidental or eye-catchingclaim0.732
  Claim distinguishing good contrast (Shaker schoolroom, which unifies) from bad contrast (glaring lobby staircase, which separates)
• The more you use the properties, the more you find they correspond to your feeling, giving permission to liberate your feeling.claim0.731
• The feeling of such a floor cannot be accurately judged from a drawing made in advance.claim0.727
  Justification for physical mockups and on-site design adaptation.