The rule of hierarchy of color areas is almost universally followed in things with inner light; equal areas of several colors almost never occur in such works.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• Color is an essential feature of reality; the unity of things (like a forest) is colored, not just structural.claim0.818
• All wholeness, not just color, may be considered ultimately as a kind of light, communicating with the transcendent realm where pure unity exists.claim0.816
• What is it that governs these combinations? (when colors create light together without being strict complementaries)question0.815
• The actual colors must be worked out in the place itself, under the influence of nearby and surrounding color and light.claim0.810
  Practical principle that color decisions cannot be made on paper or in a store; they require on-site unfolding.
• The exact color proportions were crucial; even minor changes would destroy the inner lightclaim0.810
  Once the 57:40:3 combination was discovered, it hinged on absolutely correct proportion; any deviation ruined the feeling.
• Inner light cannot be achieved without geometric wholeness (field of centers) present; color depends on geometry.claim0.804
• Hierarchy of Colorsconcept0.802
  The color property that different colors in a composition must have unequal, hierarchically graded areas—often a geometric progression—with one dominant and others in decreasing amounts.
• The wholeness of geometry is intensified and brought to its maximum potential by inner light in color.claim0.801