The exact color proportions were crucial; even minor changes would destroy the inner light

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• Inner light cannot be achieved without geometric wholeness (field of centers) present; color depends on geometry.claim0.828
• Dark-light contrast is essential for color to shine; without a beautiful pattern of darks and lights, the colors will always seem muddy and cannot have inner light.claim0.817
• Inner light is objectively present in some colored things and absent in others, and can be discerned through direct comparison.claim0.814
• The rule of hierarchy of color areas is almost universally followed in things with inner light; equal areas of several colors almost never occur in such works.claim0.810
• The student experiment demonstrates that bad geometry prevents beautiful coloring and good geometry makes inner light almost automatic.claim0.806
• Inner light is directly linked to the field of centers: each color exists as a center and becomes more intense through the intensification by other centers.claim0.803
• The eleven color properties provide the structural backbone of all color unity and inner light.claim0.799
• The wholeness of geometry is intensified and brought to its maximum potential by inner light in color.claim0.797