The architect's separation from tools and materials prevents natural ornament flow

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• If a building is 'produced' not made, ornamentation cannot occur naturallyclaim0.775
  When making is severed from design, the process of ornamentation is upset and cannot be profound.
• Ornament arises, naturally, when a person is making something and seeks to embellish this 'something' while making it.quote0.764
  Opening sentence of the chapter, encapsulating the natural origin of ornament.
• separation of ornament and functionconcept0.763
  The cosmological assumption that ornament and function in a building are separate, with function being mechanical and ornament arbitrary, stemming from mechanism.
• In the best cases, the building form will be interwoven with nature itself, seeming extremely ordinary, not like the work of an architect's hands.claim0.755
• Ornament arises naturally from the continued unfolding of the wholeclaim0.753
  The central thesis: embellishment is spontaneous, coming from the latent centers in the uncompleted thing requiring still more structure.
• Ornament and function arise from a single evolving morphology; in a living building they are one.claim0.750
  The alternative to the mechanistic split, crucial for a vital architecture.
• Most present-day architects like talking about construction but are afraid of construction tools, and architectural education prevents students from gaining construction experience.claim0.749
  Observation about the culture of architecture that perpetuates the separation of design from making.
• Tacit Assumption 7: Ornament and function in a building are separate and unrelated categories.claim0.746
  Seventh assumption, a cosmological split that leads to arbitrary decoration and dead functionalism.