Paint has a very short life and implies color is not being taken seriously

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• In this painting there is a quality of tears. The bright colors, reds and yellows, are not bright. They are almost somber, worn by the cares of the world, yet seeming to have the quality of family love, or old affection.claim0.754
  The specific painting achieves the sadness quality through its somber, affectionate color relationships.
• The painting became realistic not by mechanical copying but because it was generated from the real life of the wholeness.claim0.752
  Key claim about the source of realism in art.
• A painting is a succession of blobs that connect up and finally compose the subject, each blob a center of life.claim0.742
  Bonnard's description of his own work, interpreted as aligning with the beings model.
• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.738
• How can color in a building be given a lifetime of centuries?question0.738
  Prompted by the short life of paint, leading to the advocacy of hand-glazed tilework as a permanent color solution.
• Tilework is the most obvious and longest lasting way to give color a lifetime of centuriesclaim0.731
  Hand-glazed tilework allows direct control over color and shape, essential for a field of centers.
• A drawing is not a good medium for a process requiring serious and mature reflection one item at a timeclaim0.731
  Part of the critique of charettes: drawings encourage quick, playful contributions and cannot handle complex trade-offs
• When I look at a thing which has a living quality, sometimes I am aware of it, almost as if it is faintly glowing.quote0.726
  Alexander's direct experience of the luminous quality in living things.