In a living process, the generation of ornament goes hand in hand with construction

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• Ornament arises, naturally, when a person is making something and seeks to embellish this 'something' while making it.quote0.847
  Opening sentence of the chapter, encapsulating the natural origin of ornament.
• Ornament and function arise from a single evolving morphology; in a living building they are one.claim0.836
  The alternative to the mechanistic split, crucial for a vital architecture.
• Ornament arises naturally from the continued unfolding of the wholeclaim0.816
  The central thesis: embellishment is spontaneous, coming from the latent centers in the uncompleted thing requiring still more structure.
• If a building is 'produced' not made, ornamentation cannot occur naturallyclaim0.801
  When making is severed from design, the process of ornamentation is upset and cannot be profound.
• If it is a living process, it will create beautiful geometric structure. If it does not create beautiful structure, it cannot truly be a living process.claim0.798
  Beauty and geometry are the talisman by which a living process is known.
• If design and construction processes are living processes, each part will become itself, adapted to local conditions and individual people.claim0.798
  Core assertion that living process translates unique place and person into unique form.
• If the fundamental process is followed, it is inevitable that ornaments will have certain things in common and a certain profound quality in common.claim0.798
  Prediction that ornaments from the process will share space-filling geometries, positive space, etc.
• The process of getting the ornament from the space works by structure-preserving transformationsclaim0.797
  The design of the floor, color, and geometry all arose as a result of structure-enhancing transformations in the place.