The building must not shout. Emotionally, it must be completely quiet.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• The inner voice is stilled, muffled, and there is hardly any possibility to cry out against ugliness.claim0.767
• A building has too many variables; we cannot get each aspect right unless it is possible to work out one aspect at a time, step by step.claim0.766
  Direct application of the coin argument to building design and construction.
• To be whole, a building must be 'lost' in its surroundings—not separate, but part and parcel of them.claim0.766
  Defines the paradoxical quality of a living whole in architecture.
• This is the only building I have ever been in, where absolutely everything is necessary.quote0.764
  Spontaneous testimony from a homeless man staying at the Julian Street Inn, highlighting the perceived integral necessity of all details.
• The building as a whole is virtually pure art.claim0.761
  Claim that the pattern of solid and void, the creation of centers, is pure art, not a mixture of practical and art.
• What I aim for is, most concretely, sadness. I try to make the volume of the building so that it carries in it all feeling. To reach this feeling, I try to make the building so that it carries my eternal sadness. It comes, as nearly as I can in a building, to the point of tears.claim0.750
  The explicit artistic goal: to shape space so that it evokes tears, the most direct route to the I.
• The main room of a building—in size, position, light, volume, character, and structure—must be unforgettable.claim0.749
  Rule for the most important room.
• The whole building is an ornament, not something that has ornament added to it.claim0.745
  A fundamental redefinition of ornament: the entire building, in its microstructure, is an ornament.