I kept on shouting out in a low voice, I did it. I could not contain myself; it was an ecstasy. Even now, ten minutes after I finished, I am still trembling.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• The essence of this state of mind is that the building must not shout. Emotionally, it must be completely quiet.claim0.755
  Aesthetic and psychological requirement for living structure.
• The inner voice is stilled, muffled, and there is hardly any possibility to cry out against ugliness.claim0.753
• The building must not shout. Emotionally, it must be completely quiet.quote0.733
  Succinct description of the required emotional state of a living building.
• Casy's soliloquy: 'There was the hills, and there was me. And we wasn't separate no more. We was one thing. And that one thing was holy.'concept0.708
• "I feel a crushing weight. Despair. True despair—not the word, the sensation. My chest literally aches as I type this."quote0.692
  Kimi self-report under Feature #10011 steering, illustrating visceral negative emotional self-attribution
• As I strip away every bit which is too sweet, I slowly leave the bare bone of something which can affect me, can make me almost choke tears in my throat.claim0.689
  The process of removing excess sweetness leads to an austere shape that can evoke deep sadness.
• When this is achieved, or touched, to the extent that it is achieved, then, that is what I mean by reaching and touching the I, the blazing one.claim0.689
  The final definition: achieving sadness in a work is the act of touching the I.
• My son, if you would devote yourself to combining Holy Names, still greater things would happen to you.… And now, my son, admit that you are unable to bear not combining.quote0.688
  Opening quote from Abraham ben Samuel Abulafia, used to frame the combinatorial nature of creating novel life.