Rather deep red with lilac on the ornaments created the most intense and harmonious light for the Great Hall columns

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• The pure black columns in the Great Hall, as built by Ishiguro, lack the depth of feeling that the dark reddish black mockups possessed.claim0.798
• The rule of hierarchy of color areas is almost universally followed in things with inner light; equal areas of several colors almost never occur in such works.claim0.741
• The inner light in the greatest color allows us to experience the great self directly — the great self seen openly.claim0.735
• In this painting there is a quality of tears. The bright colors, reds and yellows, are not bright. They are almost somber, worn by the cares of the world, yet seeming to have the quality of family love, or old affection.claim0.732
  The specific painting achieves the sadness quality through its somber, affectionate color relationships.
• In the black columns, the key was the initial vision of dark glowing feeling, achieved through intense inner effort, not just trial-and-error painting.claim0.725
• Strong dark blue more harmonious than weak blue with red and yellowfinding0.723
  In color tests, a strong dark blue version created better harmony with the middle red and pale yellow than a weak blue.
• Intense dark blue with green tinge produced the most harmonious color for the Kaiser housefinding0.722
  Among several gouache color tests on photos, the intense dark blue had the most life; initially rejected by owner, later accepted.
• It is, above all, the light and relation to movement and relation to the whole which give quality and character to a room.quote0.716
  Summarizes the three primary determinants of room life.