Matisse's Arab Coffee House area distribution: 66% green, 23% white, 9% ocher, 2% black

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• Matisse develops latent white face-center on canvas through dark brush stroke using contrast and positive space to differentiate and intensify existing structure.finding0.690
  Example of harmony-seeking computation in artistic creation where painter recognizes and develops inherent latent centers.
• Matisse's painting process is exactly the kind of step-by-step adaptation with feedback: each brushstroke is a response to the actual emerging painting, making it continuously better.claim0.679
  The Matisse film as an exemplar of living process in art.
• In Matisse's cut-outs, every shape is lovingly made; the canvas is entirely made of beings which are loved.claim0.675
  Analysis of Matisse's work as an exemplar of being-making.
• Color proportion 57% middle red, 40% very pale yellow, 3% strong blue yielded freshness and spring-like quality for Martinez floorfinding0.671
  After sliding paper swatches, the exact proportions that made the balance just right were discovered; any deviation destroyed the inner light.
• Table 1: Unhealthy present-day percentages (Berkeley): Yellow 2%, Green 28%, Gray 23%, Red 47%finding0.669
  Quantitative analysis of a typical American neighborhood showing extreme imbalance, especially minimal pedestrian space.
• Intense dark blue with green tinge produced the most harmonious color for the Kaiser housefinding0.665
  Among several gouache color tests on photos, the intense dark blue had the most life; initially rejected by owner, later accepted.
• Green areas will be mixed in size, and all positive; gray areas partly surround green areas.claim0.659
  Description of the topological invariants produced by the process.
• Japanese kimono color proportions: 75% red, 19% off-white, 4% black rings, 2% trace (approx 4:2:1)finding0.652
  The kimono's color areas follow a clear hierarchy, with red dominant, then off-white, then small black.