Matisse's painting process is exactly the kind of step-by-step adaptation with feedback: each brushstroke is a response to the actual emerging painting, making it continuously better.

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• Matisse's drawing actions are dominated by concern for the overall balance, coherence, and form of the whole, not by particular details.claim0.856
  Observation used to illustrate the principle that great painters work from the whole.
• Matisse develops latent white face-center on canvas through dark brush stroke using contrast and positive space to differentiate and intensify existing structure.finding0.832
  Example of harmony-seeking computation in artistic creation where painter recognizes and develops inherent latent centers.
• In Matisse's cut-outs, every shape is lovingly made; the canvas is entirely made of beings which are loved.claim0.806
  Analysis of Matisse's work as an exemplar of being-making.
• The process used by large commercial offices like Skidmore, Owings & Merrill is not like Matisse's because it lacks continuous feedback from reality; each pencil stroke is only a reaction to previous pencil strokes.claim0.799
  Critical distinction between true feedback-based process and drawing-based design.
• The painting became realistic not by mechanical copying but because it was generated from the real life of the wholeness.claim0.789
  Key claim about the source of realism in art.
• In the ship painting, the wholeness generated the details; details were created only to recreate the living wholeness and its light.claim0.776
  Description of the author's painting process as a microcosm of a living process.
• The works of Nolde, Matisse, Bonnard, van Gogh and a few modern buildings touch a modern wellspring that is almost the same as the mystical wellspring that inspired historical works, yet in a non‑religious form.claim0.769
  The observation that non‑religious modern works can still achieve a comparable spiritual quality, showing the rootstock is not confined to traditional religion.
• The Matisse drawing has the strongest field of centers among the three compared 20th-century artworks and correspondingly the deepest personal feelingclaim0.768
  Demonstrates the correlation between field-of-centers strength and personal feeling using three famous drawings