"Beauty radiates from the emotions inside the dancers, not from external displays of skill."

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• The artist should not express his feelings into the work; instead the work should generate feeling in the observer.claim0.778
• The feeling or vision of emotional substance comes into our minds from the whole which exists.claim0.776
• It is, above all, the light and relation to movement and relation to the whole which give quality and character to a room.quote0.756
  Summarizes the three primary determinants of room life.
• This is focused on beauty. It is brutal, only because, to do it, we must forget our responsibilities and the subtleties of site and function, and enter the play of pure forms with as much emphasis on feeling, art, and structure alone as we can.claim0.755
  Defines brutality as the temporary forgetting of practical responsibilities to focus purely on structural beauty
• The quality of 'tears,' the sadness that necessarily characterizes all living art, is inherent in the geometry, it is not only an emotion, but is a character of the geometry itself.claim0.752
  Sadness is not subjective feeling alone but a structural property of the geometry.
• The beauty and force of any building arises always, and in its entirety, from the deep functional nature of the centers that have been created.claim0.750
  Core principle tying beauty directly to deeply functional centers.
• The aesthetics of our own actions are already a natural part of the rich experience of our lives.concept0.748
  Opening claim establishing process aesthetics as pervasive human experience, motivating study of process arts.
• When you make a beautiful thing, the depth of the person within becomes more vivid, lives more intensely for a moment.claim0.747