The black in Fra Angelico's 'Dream of Innocent' creates the inner light of the blue at a distance, in a way that conventional bright colors around the blue would not achieve.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• Schrödinger's thought experiment suggests that color sensation might directly penetrate the realm of the single mind or ground, and inner light intensifies this bridge.claim0.727
• The student experiment demonstrates that bad geometry prevents beautiful coloring and good geometry makes inner light almost automatic.claim0.722
• Inner light in a great painting touches to the heart of existence, to the core of what the universe is, not merely a cognitive zap.claim0.718
  Alexander's claim about the profound nature of aesthetic experience, contrasting with mechanistic dismissal.
• Inner light is objectively present in some colored things and absent in others, and can be discerned through direct comparison.claim0.718
• The elder Mr. Ishiguro's black plaster possesses a profound quality of direct relatedness between person and matter—a 'something' that has escaped modern consciousness—while his son's green plaster lacked it.claim0.716
  The story of the black plaster as a concrete, experiential demonstration of the difference made by relatedness.
• In the black columns, the key was the initial vision of dark glowing feeling, achieved through intense inner effort, not just trial-and-error painting.claim0.712
• Subdued brilliance creates the calm, not-separate quality of inner light, preventing any one color from dominating and allowing the whole to melt together.claim0.709
• All wholeness, not just color, may be considered ultimately as a kind of light, communicating with the transcendent realm where pure unity exists.claim0.708