The bank building's entrance, windows, and base were not unfolded from the site, rendering the building dysfunctional and ugly.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• The rounded corners of the stucco bank building violate the latent centers of a corner, destroying structure and creating ugliness.claim0.807
  Detailed analysis of bank building.
• The building as a whole is virtually pure art.claim0.789
  Claim that the pattern of solid and void, the creation of centers, is pure art, not a mixture of practical and art.
• To be whole, a building must be 'lost' in its surroundings—not separate, but part and parcel of them.claim0.788
  Defines the paradoxical quality of a living whole in architecture.
• In the best cases, the building form will be interwoven with nature itself, seeming extremely ordinary, not like the work of an architect's hands.claim0.781
• The lack of unfolding in the Japanese building complex's ground floor and inclined planes shows that they simply appeared from a whim, not from sensible adaptation.claim0.780
  Japanese building critique.
• It is, indeed, this pattern of the middle-sized entities, which most strongly gives overall geometric order to the building. Without it, a building is very unlikely to be beautiful.claim0.778
  Identifies the pattern of middle-range entities as the primary source of overall geometric order and beauty
• The forms of these buildings do not allow such an unfolding to occur; they patently do not.claim0.774
  Critique of Renzo Piano's and Daniel Libeskind's buildings as incapable of unfolding.
• The building got a level of service and design care, not only beyond what was paid for, but, in this instance, far beyond the ordinary. It was a new kind of service, not yet known today!quote0.774
  Alexander's summary of the level of care provided on the Julian Street Inn, from the construction memo.