Frank Lloyd Wright used an unfolding process in his early works (prairie houses, Unity Temple) but his later works like the Guggenheim Museum were image-driven.

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• Frank Lloyd Wright's early plansconcept0.784
  Example: plans of the Coonley and Dana houses have an unfolded, natural yet coherent character.
• We hypothesize that a similar 'brutal' and purely geometric process always occurs somewhere in other kinds of unfolding that generate living order — in poetry, dance, social structure, planning, and family relationships.hypothesis0.783
  Extends the brutal geometry thesis beyond architecture into all creative and social domains; acknowledged as not yet confirmed with certainty
• It is impossible, in principle, for an unfolding process to produce the works of Botta, Mies, or Le Corbusier; their works are therefore arbitrary and lifeless.claim0.775
  Strong in-principle claim against modern icons.
• In order to make buildings by unfolding, it is necessary to pay attention to the wholeness in the world. This 'paying attention to the wholeness' is essentially synonymous with love of life.claim0.766
  Connection between process, perception, and love.
• Even the drawing of a single animal is an example of unfolding.claim0.760
  All acts of making, including drawing, can be done through the fundamental process.
• But even so, although it is the most naked and forceful artistic act, this too must be seen as an unfolding which uses nothing but the fundamental process.claim0.760
  Reconciles the brutal imposition with the unfolding paradigm — it is still the fundamental process, just at its most forceful
• The lack of unfolding in the Japanese building complex's ground floor and inclined planes shows that they simply appeared from a whim, not from sensible adaptation.claim0.755
  Japanese building critique.
• All living processes use unfolding to create geometric order.claim0.752
  Universal claim extending the unfolding-and-geometry principle beyond buildings to all living systems