A building, or a building detail, or a painting, is, to some degree or other, spirit.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• The actual substance itself—the building, the painting—made to be a center—is itself physically spirit.claim0.845
  The assertion that dull material becomes spirit itself when it has the center.
• The building as a whole is virtually pure art.claim0.831
  Claim that the pattern of solid and void, the creation of centers, is pure art, not a mixture of practical and art.
• It is, ultimately, the process, not the design, which gives life to a building.claim0.806
  Emphasizes process over blueprint.
• The whole building is an ornament, not something that has ornament added to it.claim0.802
  A fundamental redefinition of ornament: the entire building, in its microstructure, is an ornament.
• A building that has life creates deep feeling in the person who encounters it.claim0.799
• A painting is a succession of blobs that connect up and finally compose the subject, each blob a center of life.claim0.798
  Bonnard's description of his own work, interpreted as aligning with the beings model.
• A building's life is not a matter of style but of substance: the presence of living centers.claim0.798
  Distinction between superficial style and deep structure.
• It is, then, this love of life which is embodied in the conception of a building, in its detail, in its execution - because the wholeness that people paid attention to really was the whole, really was all of life, and people were not ashamed or too frightened to respond to all of it in their actions as builders.claim0.794
  Love as the driving force of living creation.