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finding:specific-light-yellowish-green-glaze-irreplaceable-for-living-structure

Specific light yellowish green glaze irreplaceable for living structure

A unique green glaze created the necessary harmony in a tile floor; when the manufacturer discontinued it, no alternative could replicate the living field.

Neighborhood — ranked by edge-count

Claims (2)

claim

If we don't get the proportions exactly right we don't produce the centers and the whole thing falls apart.
supports
Tiny fractions of an inch define entirely different fields in nearby space.
The attention needed to achieve mechanical perfection drives out the possibility of paying attention to real perfection or adaptation in the centers.
supports
The two goals conflict.

Chapters (1)

chapter

How Living Process Generates The Process Of Construction
introduces
Chapter 15 of Vol. 3, arguing that the living quality of buildings depends on a process of making that allows continuous feedback and adaptation.

Related by similarity (8)

cosine ≥ 0.65 · no typed edge

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

Color is a necessary part of living structure and a necessary part of the harmonious adaptation in the world.claim0.749
Foundational assertion about the role of color in wholeness.
Gouache over glaze tiles for color testingmethod0.743
Painting on a finished tile with gouache to simulate different glaze colors quickly before making real glazes.
Color is an essential feature of reality; the unity of things (like a forest) is colored, not just structural.claim0.732
It is the material substance of walls, floors, steps, windows, and roof — and the configuration of how they are made — which governs whether living centers can emerge and fine structure adaptation can occurclaim0.729
Alexander's foundational claim linking material technique directly to the possibility of living architecture.
Using green materials is not the secret of living architecture; the essential thing is the capacity of materials to form living structure in the complex geometric senseclaim0.725
Alexander's central critique of sustainability discourse as insufficient for architectural life.
A combination of light green, yellow, reddish red, and turquoise-blue achieved a spring-day feeling in the painted kitchenfinding0.724
By testing swatches and paper mock-ups, these four colors, in varying proportions, brought the room to life.
The elder Mr. Ishiguro's black plaster possesses a profound quality of direct relatedness between person and matter—a 'something' that has escaped modern consciousness—while his son's green plaster lacked it.claim0.723
The story of the black plaster as a concrete, experiential demonstration of the difference made by relatedness.
Buildings made with an eye to the past will most often fail to have living structure, because the process of historical reproduction somehow turns vivid, living structure sour.claim0.718
Argues that copying historical forms does not produce living structure.