concept
active
concept:contact-improvisationContact improvisation
Dance form oriented toward inner sensation and felt relationship; exemplifies process art over spectatorial display.
Neighborhood — ranked by edge-count
Thinkers (1)
thinker
- Steve PaxtonstudiesOriginator of contact improvisation; quoted on pleasure of spontaneous, unplanned dancing.
Communities (1)
community
- Process Artabout
Concepts (1)
concept
- Process ArtaboutArtifacts designed to bring about process-aesthetic experiences; primary aesthetic properties emerge in the enactor's activity.
Related by similarity (8)
cosine ≥ 0.65 · no typed edgeEntities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.
- Central concept: the dynamic ability to rewrite and remap information (memories) onto new media and contexts across multiple scales (behavioral, genetic, physiological).
- The idea that spatial moves are not static arrangements but live, enacted gestures.
- The set of attributes B of a formal concept (A,B).
- Analogy used to characterise the LLM dialogue agent as more like an improv performer than a scripted actor committed to a fixed role
- Plants mimicking other organisms to avoid predation.
- Prior self-evolving agent method storing verbal self-reflections from prior attempts to improve future behavior
- The perspective that LLM inference decomposes into distinct computational stages, which the paper extends to looped models
- A sequence of context-response pairs where each context includes the preceding sequence, formalising LM dialogue dynamics.