This geometric substance that I call the brutal order comes, in fact, from the need to allow a certain regular rhythm of members to arise within an irregular envelope, because it is fitted to irregular circumstances.

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• We hypothesize that a similar 'brutal' and purely geometric process always occurs somewhere in other kinds of unfolding that generate living order — in poetry, dance, social structure, planning, and family relationships.hypothesis0.814
  Extends the brutal geometry thesis beyond architecture into all creative and social domains; acknowledged as not yet confirmed with certainty
• The brutal geometry comes from the need for the internal geometrical coherence of the building, not from the surroundings.claim0.810
  Clarifies that the alien, brutal quality originates in internal structural logic rather than contextual adaptation
• The gist of the process, what I call the formal or brutal process, lies in the use of very simple geometry, first introduced with force, after one makes sure that the inspiration has arisen from the place, and from the introduction, then, of just enough syncopation into the order, so that it truly fits the necessities of site and place and time, without doing violence to them.claim0.805
  Summarizes the brutal process as force-first geometry, then syncopated adaptation to fit context without violence
• It is this injection of definite, strong, geometrical order that allows the profound depth of the made thing — the building in the land — and it is from this that the order must and will arise.claim0.791
  The geometric injection is the causal source of the building's profound depth
• The beat of informality against the discipline of geometric order, can lead to the most splendid qualities.claim0.782
  The aesthetic outcome of the interplay between wildness and formality.
• We cannot create living order only by concentrating on appearance; we must characterize the geometry that comes from living process.claim0.775
• Yet it is from this moment of brutality, that real order must come.claim0.775
  Core assertion: the brutal imposition is not just unavoidable but is the generative source of genuine order
• This is focused on beauty. It is brutal, only because, to do it, we must forget our responsibilities and the subtleties of site and function, and enter the play of pure forms with as much emphasis on feeling, art, and structure alone as we can.claim0.770
  Defines brutality as the temporary forgetting of practical responsibilities to focus purely on structural beauty