The great life in works by Matisse and van Gogh is somewhat misleading because the same feeling of life can occur in a dirty hut or slum.

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• The works of Nolde, Matisse, Bonnard, van Gogh and a few modern buildings touch a modern wellspring that is almost the same as the mystical wellspring that inspired historical works, yet in a non‑religious form.claim0.786
  The observation that non‑religious modern works can still achieve a comparable spiritual quality, showing the rootstock is not confined to traditional religion.
• Matisse develops latent white face-center on canvas through dark brush stroke using contrast and positive space to differentiate and intensify existing structure.finding0.769
  Example of harmony-seeking computation in artistic creation where painter recognizes and develops inherent latent centers.
• In Matisse's cut-outs, every shape is lovingly made; the canvas is entirely made of beings which are loved.claim0.768
  Analysis of Matisse's work as an exemplar of being-making.
• The Matisse drawing has the strongest field of centers among the three compared 20th-century artworks and correspondingly the deepest personal feelingclaim0.758
  Demonstrates the correlation between field-of-centers strength and personal feeling using three famous drawings
• The greater life in the animal comes from the field of centers which is created there, not from copying or 'realism'.claim0.755
  Extension of the previous claim, tying life directly to centers.
• Buildings made with an eye to the past will most often fail to have living structure, because the process of historical reproduction somehow turns vivid, living structure sour.claim0.755
  Argues that copying historical forms does not produce living structure.
• The existence of widely agreed‑upon lists of great buildings suggests a shared perception of life in buildings.claim0.753
  Argues for intersubjective agreement about the quality of life.
• The life which seems best in our world comes from efforts that are uncensored, natural and straightforward, from impulses close to our emotions and joy.claim0.752
  Alexander's opening assertion about the character of true modern life.