claim

active

claim:the-alternative-to-modernism-in-the-arts-does-not-consist-merely-of-returning-to-the-past-for-inspiration-but-in-discovering-concretely-and-with-a-clear-mind-what-carpet-weavers-artists-and-builders-of-the-past-knew-that-we-do-not

The alternative to Modernism in the arts does not consist merely of returning to the past for inspiration but in discovering 'concretely and with a clear mind' what carpet-weavers, artists and builders of the past knew that we do not.

Claim about the nature of a genuine alternative to Modernism.

Source paper

extracted_from

2022-09-17_Greg-Bryant_WestDean1996AlanPowers.pdf_422608

Neighborhood — ranked by edge-count

Communities (1)

community

Design principles for care-centered systems
members_of
Cross-scale frameworks linking spatial patterns, diagrams, and simplicity as expressions of care in design.

Concepts (3)

concept

Modernism (Architecture)
contradicts
Architectural movement that Alexander positions his work against, seeking alternatives grounded in deeper understanding of past knowledge systems.
Arts and Crafts Movement
gates
Historical design movement that influenced Alexander's work but which he has advanced and extended with systematic methodology.
alternative to Modernism through discovery of past knowledge
about
Alexander's approach of discovering concretely what pre-modern artisans knew, rather than merely returning to past styles.

Related by similarity (8)

cosine ≥ 0.65 · no typed edge

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

The core of the modern design movement—striving for originality, newness, breaking with tradition—was a structure-destroying force that denied unfolding.claim0.786
Fundamental critique of modernism.
The art of making something living is sought again and again, avidly — it is like food.claim0.779
In modern architecture, neither design nor construction typically works step by step; instead there is a fixed end-state produced without realistic feedback.claim0.779
Contrast between living process and current architectural practice.
Under the spell of modernist concepts, planners and officials became confused about the real wholeness, could no longer see it, and thus failed to act in structure-preserving ways.claim0.772
Psychological effect of modernist ideology.
Architects who believe they help make things more human by going back to stone, mud, and thatch are deluding themselves that this could ever enter widespread mainstream building processesclaim0.769
Alexander's critique of the romantic return to primitive materials as economically unviable at scale.
The great works of traditional art were most often created in a context where the maker was trying to become one with God or lose themselves in the ground.claim0.767
A summary of the reported intentions of historical craftsmen.
For the first time in modern history, ways of thinking are available that make the criteria for 'living' potentially sharable and actually shared.claim0.763
Asserts that the theoretical foundation laid out in the four books provides a public quality standard for sequences.
The works of Nolde, Matisse, Bonnard, van Gogh and a few modern buildings touch a modern wellspring that is almost the same as the mystical wellspring that inspired historical works, yet in a non‑religious form.claim0.763
The observation that non‑religious modern works can still achieve a comparable spiritual quality, showing the rootstock is not confined to traditional religion.