Keeping 15% of the work under direct craft control while 85% is conventional can affect 50-70% of the building's emotional and artistic impact.

Entities in the same semantic neighborhood but without a typed relation to this one — candidates for new edges or unrecognized duplicates.

• In modern architecture, neither design nor construction typically works step by step; instead there is a fixed end-state produced without realistic feedback.claim0.779
  Contrast between living process and current architectural practice.
• It is only when you treat the raw material of the building as the stuff being shaped and take control with your own hands that you can make a real thing.claim0.758
  Hands-on involvement is necessary for worth.
• Traditional builders paid attention to the feeling of the emerging structure, allowing them to stay within the guidelines of the transforming whole.claim0.754
• If a building is made by a process that allows fine adaptation through feedback, it will have life; if built from fixed drawings, it will not.hypothesis0.751
  Predictive conditional summarizing the chapter's argument.
• The great majority of modern buildings are awkward assemblies of unrelated components, lacking the coherence necessary to be living designs.claim0.751
  Aesthetic judgment on modern buildings.
• In traditional societies, building processes often preserved and extended wholeness by following natural processes closely.claim0.750
  Historical claim about traditional versus modern building.
• The building as a whole is virtually pure art.claim0.748
  Claim that the pattern of solid and void, the creation of centers, is pure art, not a mixture of practical and art.
• If the feeling is genuine and does arise out of the site itself, then it must be thought of as an absolute which later stages of design and construction must only strengthen, deepen.hypothesis0.747
  A conditional rule for the unfolding process.